November 24, 2021
The Komes & Garvey Family
November 24, 2021
April 29, 2021
It takes a special Cabernet Sauvignon to be designated a Flora Springs “Single Vineyard.” Along with Trilogy and Flora’s Legacy Cabernet, these are the crown jewels in our portfolio. We asked General Manager Nat Komes how he and the winemaking team decides what makes the cut.
How do you determine when a vineyard is good enough to be bottled on its own?
To become a Single Vineyard a wine must convey a unique sense of place and individuality; in its aromas and flavors it must clearly express the characteristics of a particular site. Of course, the wine must be of extremely high quality. It’s gotta taste good!
How do you get complexity in a Single Vineyard wine?
The complexity comes from the site itself and in the way we blend different blocks together. Our viticultural practices are tailored to each block, allowing us to tease out the differences and distinctive characteristics of each one. That, coupled with the singularities each vintage brings, gives each of our Single Vineyard wines dimension and layers of complexity.
What winemaking techniques do you employ with the Single Vineyard Cabernets?
Our vinification is aimed at obtaining purity of fruit and the structure that makes for extended aging. We carefully hand sort the grapes upon receipt, give them a three- to four-day period of cold soaking prior to fermentation, and carefully manage the extraction of tannins during and after fermentation. Then we age the wines for about 18 months on average in French and/or American oak, depending on the wine.
What makes the Wild Boar Cabernet Sauvignon stands out as a Single Vineyard wine?
Wild Boar has always been a revelation to me in the sense that I consider it to be an “all-American” wine. By that I mean it has a bit of a wild west character to it, yet it can also be polished and refined. Kind of like a well-dressed cowboy. We age Wild Boar in 70-75% American oak, which frames it in sweet, vanilla-like tannins. Although big, Wild Boar is never clumsy, but rather manages to walk the fine line between rich, ripe fruit and structural elegance.
Truly elegant and powerful wines, that reflect the place from which they originate, learn more.
April 1, 2021
Note: The article excerpted below was originally published on NapaValley.com and can be found here.
“While officially founded in 1978, grapes were first planted on this St. Helena property, located at the foot of the Mayacamas, in the late 1800s, which marked the start of Flora Springs’ fascinating history. The winery produces several different chardonnays, each with a unique flavor profile, from the juicy and tropical Family Select Chardonnay to the limited-production Flora’s Legacy Chardonnay, made from a barrel selection of the finest chardonnay of the vintage, in honor of Flora Komes, the inspiration for the winery.
Insider Tip: Flora Springs feels so strongly about the quality of their chardonnay and other white wines that the winery has been a leading proponent of the movement to introduce the #whitewineemoji.” Read more.
We invite you to our Napa Valley Tasting Room for wine tasting while enjoying views of flourishing vineyards and the western hillsides. Plan your getaway.
January 28, 2021
by John Komes
It was the early 1990s and Flora Springs had been in business for just over ten years when I decided we needed to have a tasting room on Highway 29.
There wasn’t quite as much tourism in Napa Valley as there is now, and I wanted a place right on the highway where people could easily visit us. I bought a building – an old HVAC shop – just south of the old Dean & DeLuca gourmet grocery (now Gary’s Wine & Marketplace) in St. Helena. I cleaned it up, installed a circular bar, hired an artist to paint some wall murals, and opened up for tastings.
But business was slow. I kept hearing folks say they hadn’t “noticed” the tasting room, even people who stopped at Dean & DeLuca. I decided to do something about it. My wife, Carrie, and I had recently visited Barcelona and seen many of the buildings designed by renowned architect, Antoni Gaudí. I loved the flow and imagination of his structures, the fanciful nature of his designs.
You can guess what happened next.
When I returned to St. Helena I consulted with a local architect, and together we designed a new Tasting Room that echoes, in Gaudí-like fashion, the look and feel of a wine cave set into a mountainside. We used bent plywood to give the structure its curvature and painted the outside to represent geologic striations in the earth.
Inside we created separate tasting areas made to feel like private rooms in a wine cave, and installed a curved tasting bar with a modern bistro vibe. The rooftop, which has magnificent views of mountains and vineyards to the west, feels like a comfortable living room, a place where people can relax and enjoy a glass of wine.
Thanks to my son Nat, our Tasting Room has gotten some upgrades recently, and I’m excited about the improvements. I always wanted it to be a place where people could indulge their sense of sight as well as taste and smell. Most of all, I want the Tasting Room to inspire curiosity and delight, to be the place where people come to learn more about the legacy of Flora Springs.
Now we are thrilled to be reopening for outdoor wine tasting, by appointment. Plan your Napa Valley wine tasting adventure today.
Flora Springs Tasting Room
677 S. Saint Helena Highway
Saint Helena, CA 94574
December 23, 2020
Despite its many challenges, 2020 also offered new ways of interacting with you, a few “firsts,” and many reasons to be grateful. Here are just a few:
Our family presented leis to the first 100 guests at our 2017 Trilogy Party.
We were named “Best Hidden Gem Winery” in Napa Valley Life Magazine.
We released the 2017 Howell Mountain Dust & Glory Cabernet Sauvignon—our first new Single Vineyard Cabernet in over two decades, with a 94 point score from James Suckling.
We celebrated John Komes’ 80th birthday.
We shipped a record amount of wine to Wine Club Members and customers; thank you for your support!
We supported Napa Valley wildfire relief efforts with a Halloween Dinner & Wine event and other initiatives, and thanks to you, donated over $5,500 to the Napa Valley Community Foundation’s Fire Disaster Relief Fund.
Maximilian Riedel, 11th generation glassmaker at the world-renowned Riedel Wine Glass Company, shared his experience of opening and tasting our 1991 Napa Valley Cabernet Sauvignon with his 88,000 Instagram followers: “..what a joy. The wine has been in my cellar for a very long time…look at that color, fun. Cheers!”
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As another year comes to a close, we want to take a moment and thank you for letting us be a part of your lives. We are fortunate and grateful that you choose Flora Springs to accompany your meals, toasts, celebrations and special occasions. Here’s to a healthy, happy 2021!
October 2, 2020
Note: The article excerpted below was originally published in the Napa Valley Register and can be found here.
‘I’ll tell you a story,” John Komes said. He was standing in front of a colorful painting that depicts Flora Springs Winery, which he and his family launched in 1978 in a pre-Prohibition ghost winery in St. Helena.
“We decided we wanted a painting,” he said, recounting how the family invited Cynthia Fitting, an artist living in Sacramento, to come to Flora Springs to talk about a project.
“When she was leaving, her car wouldn’t start.” Fitting flagged down an employee, just leaving the winery, to ask for a jump. Too busy, the man replied, and he hurried off to a sales meeting.
Fitting got the commission and produced the vivid, charming painting, which portrays the winery and its people…”Read more.
July 20, 2020
Working as a family and team, we have pledged to over-deliver on wine quality for more than 40 years. Now this dedication has been taken up by third generation family members Nat Komes and Sean Garvey. There is nothing more gratifying to us than hearing from our customers about how much they enjoy our wines. It makes everything we do worthwhile.
While our customers’ feedback is most important to us, we also appreciate it when our wines get noticed by wine critics, reviewers, and bloggers.
“Deep garnet color; soft vanilla nose; silky smooth with soft plum, toast and vanilla new oak; elegant, lush and showing spice and notes of mocha and chocolate, long and balanced.” January 2020
“A soft and fruity red with currants, chocolate and hints of toasted oak. Medium to full body. Round tannins and a flavorful finish. Nicely done for the vintage. 80% cabernet sauvignon, 17% petit verdot and 3% malbec. Drink or hold.” February 2020
“The 2017 Red Blend Trilogy checks in as a blend of 80% Cabernet Sauvignon, 17% Petit Verdot, and 3% Malbec. It’s a pretty, elegant wine from this estate and has lots of beautiful black and blue fruits, roasted herbs, chocolate, and gravelly earth-like aromas and flavors. These all carry to a medium to full-bodied blend that has terrific balance, nicely integrated acidity, and a great finish.” February 2020
Wine time: Flora Springs Trilogy 2017, Napa Valley
The Augusta Chronicle
“…a blockbuster wine, bold and powerful but drinkable upon release. And with a little bit of age it gets even better. The Flora Springs Trilogy 2017 – just released this week – is 80 percent cab, 17 percent petit verdot and three percent malbec. The grapes come from three prestigious regions in Napa: Oakville, Rutherford and St. Helena.
It is a gorgeous deep garnet in the glass with aromas of plum and herbs. Among the complex flavors on the palate I could pick out black plum, black cherry with hints of cola and mocha.
The wine doesn’t overpower, though. With sleek tannins and crisp acidity the wine stays fresh and perfect for matching to food….The wine is so great now, it’s hard to imagine what it will be like if it continues to improve in the bottle. The winery says it should be at its peak between now and 2028.
Besides Trilogy, the winery produces several tiers of outstanding wines. The Napa Valley series includes a cab, a merlot, a chardonnay and a sauvignon blanc. They also produce several single vineyard cabs, and a number of artisanal wines that include a barrel fermented chardonnay.” Read more.
—Dennis Sodomka, February 2020
“Trilogy was one of the first Bordeaux-style proprietary blends from the Napa Valley when it was introduced 30-some years ago, and it was one of the best of the genre at the time. I am happy to report nothing has changed. One of Napa’s iconic Bordeaux blends, Trilogy 2017, is another masterpiece. Beautifully balanced, with layers of dark fruits, a note of graphite and a beautiful touch of oak vanillin, this is a wine to lay down in the cellar for another 10 to 12 years, though it is remarkably pure, smooth and satisfying at this early stage.”—Robert Whitley, March 2020
Score: 8.5 – 9
VINOGRAPHY®: a wine blog
“Dark garnet in the glass, this wine smells of dusty roads and cedar. In the mouth, black cherry, cola and blueberry notes mix with a touch of black olive savoriness. Faint, taut tannins buff the edges of the palate, as the wine lingers with notes of olive and licorice. A blend of 80% Cabernet Sauvignon, 17% Petit Verdot and 3% Malbec.” March 2020
“…Flora Springs was founded in 1978, but its Napa Valley property was first planted with vineyards in the late 1800s so the terroir is for real (it has been replanted since). I’ve had several vintages of the Trilogy and they all deliver. Tasting note:The potent nose offers scorched earth and graphite-infused blackberry, black plum, violet, kirsch and dark chocolate ganache. It is full bodied, balancing lush, smooth and broad tannin with juicy acidity. The balance is really on-point. Flavors include blackberry, coconut, (real) maraschino sauce, black pepper, teriyaki sauce and cigar tobacco. It has a strong core of wet earth minerality. This is nice now with an hour decant, but I imagine it’ll start hitting its stride in five years and drink nicely for the following five to ten.” May 2020
Wines For The Man In Your Life
South Florida Reporter/MoreAboutWine.com
“Cabernet sauvignon, petite verdot and malbec got into this very smooth, approachable wine from Napa Valley. Cherry and cassis with some cherry and spice.” Read more. June 2020
Best Samples for 2020
“2017 Flora Springs Trilogy wine — Flora Spring’s flagship wine is made from estate vineyards and dates back to 1984 when it was one of Napa’s first proprietary red blends. The 2017 is a blend of 80% Cabernet Sauvignon, 17% Petit Verdot, and 3% Malbec. It’s big, bold and satisfying with notes of black fruit, mocha, cassis, chocolate, spice and vanilla.” Read more.
—Melanie Ofenloch, June 2020
May 12, 2017
Note: The following article about Flora Springs Winery 40th Anniversary was written by Sasha Paulsen and published in The Napa Valley Register can also be found here.
Say “Flora Springs Winery,” and many people will think of the distinctive tasting room on Highway 29, just south of St. Helena, the one inspired by the imaginative Catalan architect Antoni Gaudí that looks a bit like a soft-swirl ice cream cone, chocolate and vanilla.
But there’s a story behind the unusual tasting room — about a mile behind it, at the end of West Zinfandel lane in a stone ghost winery that is, literally, the roots of Flora Springs, celebrating its 40th anniversary this year, as well as the 30th anniversary of its celebrated red wine, Trilogy.
Travel down this road to taste a few wines. And if you chance to meet John Komes, proprietor, you will hear stories about everything from how each wine in the Flora Springs portfolio got its name to why there is a statue of a wild boar greeting visitors on the grounds.
“Some people say I saved this property,” Komes remarked with chuckle as he surveyed the vineyards in front of the winery. “My dad was a gin drinker. If we’d left it to him, he’d have replanted everything in juniper.”
That was in 1977 when his parents, Jerome and Flora Komes, were looking for a place to retire after Jerome’s long, successful career with Bechtel Corporation. “He wasn’t that interested in wine,” Komes said. “A lot of his friends were retiring up here, just for the climate and the life. I think he thought he’d be a gentleman farmer.”
It’s well documented what happens to people who purchase land in Napa Valley, intending to retire. It this case, however, it was son John Komes who inspired — and took the lead on turning his dad into a vintner.
This was because just a few years earlier, John Komes’ wife, Carrie, had signed them up for a wine appreciation class. “I said ‘OK, I’ll do my social duty and go with you.’” They were living in Lafayette at the time, where John was a building contractor. He was in for a surprise.
“I loved the stuff. I’d never really tasted wine,” he said. “I was the kind of guy who went three times to the buffet and said that’s dinner. But I loved this. We tasted Burgundy, Bordeaux, Italian wines.”
Then came the real coup de foudre. He said, “A couple of people in the class said, ‘Wow, you are really enthusiastic. Would you be interested in joining our home-winemakers’ group?’”
He joined. “We really had fun making the wine. And it served a good purpose: I gave it to family and friends, and they never bothered me again.”
But when John Komes saw the property his father was going to buy, he decided they had to take it back to its original purpose — a winery.
The stone winery on the grounds had been built in 1885 by two brothers, James and William Rennie, immigrants from Scotland. “They were in the building trade too,” Komes said. “They built the winery and planted 60 acres of grapes.”
Then the brothers hit a patch of bad luck: phylloxera in the vines, and a fire in 1900 destroyed their wine press and cooperage. In 1904, they sold the winery, and 15 years later it was hit by an even greater calamity: Prohibition. The winery was closed until 1933. That year, Louis Martini, one of the valley’s wine-making legends, sensed the approaching collapse of the government’s experiment in teetotalism and bought the Rennie property. He built a new stone house, and made a reserve wine from the hillside vineyards but the old winery remained a ghost until the Komes bought the property, 325 acres, an old farm house, the newer stone house, and 60 acres of vineyards.
Komes said he originally thought he’d persuade his dad to restore the old winery by proposing to name it Chateau Jerome; but although it had been designed by Hamden McIntyre, the architect of other classic 19th-century Napa wineries, by 1977, the fire-scarred ghost was in all but a wreck. “The tin roof of the building had a million holes in it,” Komes said; “so many we called it the starlight roof. My dad looked at it and said, ‘ I’ve worked all my life for my good name. I don’t want to squander it now.’”
John’s mother, Flora, however, sided with her son on the potential of the property. And Carrie Komes suggested they could name the winery for her mother-in-law. Combined with the abundant springs on the land, they decided the name would be Flora Springs.
“That was the sure way to my mom’s heart and my dad’s pocketbook,” Komes said. Flora Komes, born and raised in Hawaii, had come to San Francisco during the Depression to study nursing at St. Mary’s College. There, she met Jerome. “He was a Fresno boy,” Komes said. “My dad was a tough old German. My mom was perfect, a great lady. My dad traveled a lot for his work, so she was the one who really raised us. We were a really happy family.”
Komes put his construction expertise to work to renovate the old winery, which still had scorch marks on the walls. So skeptical was his father about his son’s wine-making project, they divided the winery building and John rented half where he put his first fermenting tank, which he named R2D2.
He invited a couple of friends from his wine-making class to help make wine at the new place. He also hired MaryAnn Graf, who in 1965 had been the first woman to graduate from the viticulture and enology department at UC Davis to help manage the project. “She told me, John, if you don’t hire a winemaker, I’ll quit.” He did, and the 1979 Flora Springs chardonnay won a gold medal at the Los Angeles County Fair.
“In those days, it was fairs, not ratings, that made the difference,” Komes said. “This was my first lesson in marketing. We’d sold the wine before we won the medal.”
Their 1981 cab they submitted to eight fairs and won seven gold medals.
From there, the winery just kept growing. “We were the 67th winery in the county,” Komes said. “My sister, Julie, was a big part of building the winery. Later she left to go religious school, but I like to say she’s still in the spirits business.”
Julie Komes Garvey earned a degree in spiritual studies from the San Francisco Theological Seminary and the Franciscan School of Theology and now works in St. Helena. Her husband, Pat Garvey, and son, Sean, are the vineyard managers for the Flora Springs vineyards.
“We’ve had our ups and downs,” Komes said. “But we kept growing. We started small, but kept moving ahead. We were pretty much self-schooled.”
One highlight was the creation of Trilogy, one of the first meritage blends in the valley. By 1984, Komes said, they’d planted the Bordeaux varietals, malbec, merlot, cab franc, cabernet sauvignon, petit verdot. They wanted to create a blend “by taste, not by formula for a nice smooth wine that goes deep into the palate.” he said. “We want a little of this, a little of that. What God forgot, we added.”
The first Trilogy was cabernet sauvignon, merlot and cab franc was soon dubbed “velvet in the mouth. A lot of what we do is ‘taming the tanins,’ Komes said. ‘One man who buys Trilogy by the case said it’s the only red wine his wife will drink young.” From the “leftovers,” they began making single-varietal estate wines.
Another highlight was the discovery of a unique clone of sauvignon blanc in vineyards his dad bought in Oakville. UC Davis could identify nothing like in in their vast library of clones. “We were a bit ahead of the times, but this clone showed us what sauvignon blanc could be. It takes all the grassiness out of sauvignon blanc.”
It took eight years to register and then propagate the clone, an effort Komes said was well worth it. “We paid UC Davis $7,000-$8,000 to keep the clone so we are the only ones that have it.” They named the clone — and the wine it creates — Soliloquy “because of its uniqueness.”
“We’ve gone through some difficult stages, too,” Komes said. In the 2000s, they spent three years cleaning up a brettanomyces taint in the winery, which rigorous cleaning and replacing all of their barrels. “But we got through it,” Komes said, “Our winemaker, Paul Steinauer, is producing great wines. I think you’ll be amazed by them.”
John and Carrie also lost a son to cancer, but their other son, Nat, is increasingly taking a leadership role in the winery, and they are spending winters at their second home in Arizona.
Today, the Flora Springs portfolio is as rich as its history, and the labels tell its stories: The Rennie Reserve Cabernet, the Holy Smoke Cabernet (named for exclamations of Carrie Komes’ German father as he inspected the Flora Springs vineyards) and the Ghost Winery malbec. The expansive list includes luscious bargains like a $40 estate cabernet sauvignon and as $25 estate sauvignon blanc. Library wines are being made available for this 40th anniversary celebration.
Flora Komes died just three months short of her 101st birthday; her husband had died 10 years earlier. “We had a great 100th birthday party for her and she shook everyone’s hands,” Komes said. Flora’s legacy lives on, not only name of a winery and the larger-than-life-size portrait in the tasting room of Flora arriving from Hawaii at the age of 23, but in her own label, the Flora’s Legacy wines.
There are, in all, too many wines for one article to describe, although this writer attempted to taste as many as possible and thoroughly enjoyed them all. The best way to discover them is to make an appointment, and drive down Zinfandel Lane and into Napa Valley’s history. You’ll meet the wild boar statue, and just in case John Komes is not on hand to tell you the story, here it is:
“My dad was a great businessman, and when he came to the valley, land was selling for as much as $25,000 an acre. He thought that was shocking, so he decided when he was going to buy land in Pope Valley. He found 500 acres for sale that had 10 acres of grapes. He bought it for $1,000 an acre.
“Then he called me up. ‘John,’ he said, ‘I found an old house on the property I didn’t know it was there.’” A strange house, it had nine bedrooms and eight bathrooms and no living room. “And there were a lot strange tales about that house.”
“I asked him, ‘What do you want me to do?’ He said, ‘I want you to come over and build a living room so I can sell it.’”
So Komes built the living room and sent a plasterer to finish the project. “Then I get a call from him, ‘John, John, there’s a wild boar in the yard.’”
The upshot was the plasterer wanted Kome’s permission to shoot it. “I said I was a city boy; I didn’t know about wild animals, but then I said, ‘OK, as long as I can have the hind quarter.’ So the guy left to go get his gun, and then I got a call from the ranch foreman. ‘John,’ he said, ‘you won’t believe what’s going on here. Your workman just shot the neighbor’s pig.’
“So now we have the statue here so everyone knows what a wild boar looks like.”
And the wild boar has a wine label too. Wild Boar Cabernet Sauvignon.